[Book presentation//Gonzalo Reyes Araos & Samuel Toro Contreras//TINTA//Feria de Arte Impreso//Saturday November 7th, 15h//Campus Oriente, Universidad Católica, Santiago]Book Presentation: Cielos Forasteros at TINTA 6
As part of the sixth edition of TINTA, Feria de Arte Impreso, the book “Foreign Skies: Narrativas algorítmicas en la percepción expandida” will be presented, followed by a conversation.

[Solo show //1 – 31 October, 2026//Curated by Samuel Toro Contreras//Galería NAC// Santiago]In one of NAC’s windows, outside light is filtered into red, green and blue (RGB) according to the position of the sun, an exercise Gonzalo Reyes Araos has repeated in different parts of the world. This exercise extends ARITHMOS both inside and outside the gallery space. Inside are a series of paintings made from thousands of paper squares, painted one by one, which together form the subpixel grid found behind a monitor when it is taken apart, an “anatomy” that normally no one sees. Some squares have been deliberately released by the artist, leaving those gaps in plain view, an “amputation” of pixels that in a monitor would produce a glitch we would never see as a graphic interface. This creates a subtle plastic composition that dialogues with the digits.

[Duo show // Charlotte Bastian and Gonzalo Reyes Araos // SCOTTY Projektraum//Berlin, Germany//
August 28th – October 3rd]Historically, the horizon has been the line that guarantees orientation: the point of reference that enabled us to locate ourselves in space, distinguish the sky from the earth. Yet in the contemporary era—marked by the proliferation of screens, temporal acceleration, and the radical transformation of our environment—this horizon has become fundamentally unstable.
The Unstable Horizon brings together the practices of Charlotte Bastian and Gonzalo Reyes Araos in a dialogue exploring precisely this condition: how technology, perception, and human interventions have redefined our capacities to understand and inhabit space.

[Group show//September 3–12, 2026//BARDO Projektraum//Berlin, Germany//Claudia Adriazola, Bruno Giliberto, Gonzalo Reyes Araos, Fede Taus//Curated by Alejandra Atalah]Karne Kunst presents Miradas a Chile / Sichtweisen auf Chile, a group exhibition curated by Alejandra Atalah (Puente Berlin).
The exhibition begins with a deceptively simple question: What do we understand by landscape?
Who constructs a landscape? What transforms it? And how are territories shaped not only physically, but through the ways in which they have historically been observed, classified, mapped, named and organized?
Through four distinct artistic practices, Miradas a Chile proposes an imaginary journey across Chile. Rather than attempting to represent the country through a single image or geographical narrative, the exhibition approaches landscape as a cultural construction shaped by memory, distance, personal experience, technological mediation and historical ways of seeing.
From Berlin, Chile becomes something that can be revisited, questioned and reassembled.

[Group show//June 14th – July 4th, 2026//LAGE EGAL + Loods 12//Wetteren, Belgium]Echoing the famous song by The Rolling Stones, the off-site group exhibition GIMME SHELTER III resonates with the selection of works presented by LAGE EGAL (trans. location doesn’t matter), a nomadic gallery based between Berlin and Brussels.

Vincent de Roder’s invitation for this third edition extends the gallery’s fluid identity: a practice of displacement, relocation and the circulation of works rooted in the dynamics of contemporary art.

The selected works display their colours and abandon figuration to surrender to their own visual languages, inviting the viewer to enter the artists’ unique worlds. TOM FRÜCHTL’s raw gradients bleed into one another as if colour itself were under pressure; FRANZISKA REINBOTHE’s distorted frames warp the familiar until recognition gives way to unease; ASTRID KÖPPE’s strange metallic compositions hold light hostage in surfaces that feel both ancient and alien; GONZALO REYES-ARAOS’s deliberately “glitchy” visions short-circuit the image, exposing the fractures beneath; and VINCENT DE RODER’s silent bands and blocks accumulate with a quiet precision that makes the void feel densely inhabited. Together they form a body of work permeated by the tension of an angry world, where everything seems within striking distance — It’s just a shot away, it’s just a shot away. On the verge of collapse.

[Group show// June 13th – 20th, 2026 // Frau Reim // Berlin, Germany ]
Frau Reim is delighted to invite you to the sequel to LEER: “VOLL.”

[Duo show with Vincent de Roder// November 11th – December 20th, 2025 // LAGE EGAL // Brussels, Belgium ]STRIKE PRESENCE brings together Vincent de Roder and Gonzalo Reyes-Araos in a vital tension between the material gesture and distant presence.

In one, the body insists — it leaves a mark, it resists erasure. In the other, presence flows through signals and networks, translated and displaced. The title strikes like an action: it asserts presence as a collision with reality. Each work becomes the residue of that impact — a way of holding onto existence in a world that endlessly dissolves appearances.

[Group show // September 18th – 27th, 2025 // freiraum // Berlin, Germany ]leer is both the title and the root of this exhibition: the present emptiness of a commercial space, and the central theme explored by the show.
to emphasize this notion of emptiness,
the exhibition may be experienced only by one visitor at a time. the opening will therefore take place outside,
on the street in front of the venue.

[Solo show // June 13th – August 2nd, 2025 // Galerie PLUTO // Bonn, Germany ]The exhibition, I remember correctly you are you and the rest is history, features new works from Gonzalo Reyes Araos. The work and enriching academic dialogue with University of Bonn scholars began summer 2024 during his residency at galerie PLUTO.

[Public lecture // June 18th, 2025 // University of Bonn, Germany ] An exchange between galerie PLUTO and the TRA Individuals, Institutions and Societies at the Science Festival resulted in a unique dialogue between PLUTO resident artist Gonzalo Reyes Araos and our University’s researchers, titled “The Poetics of Machine Learning.” The research-based creative exchange will culminate in a public lecture with a presentation by Gonzalo Reyes Araos and five researchers of the University of Bonn. Works by Reyes Araos and corresponding research questions will be presented in the discussion.

[Group show//29th November 2024 – //4th January 2025//rosalux project space//Berlin, Germany ]RECLAIM REALITY is a group exhibition and a prospective get-together, following on from the first Salon Kuiperdomingos Projects, held at the same venue in 2011. Back then, 52 artists covered the walls of the art space to celebrate the idea of the network. The upcoming edition will bring together more than 70 artists from Berlin, Amsterdam and beyond, to promote the building of new realities based on artistic visions and the importance of meeting and exhibiting art in the flesh. Live music and performances on the opening day.

[Residency program//July – August 2024//galerie PLUTO// Bonn, Germany]galerie PLUTO is pleased to welcome Gonzalo Reyes Araos for a summer 2024 residency. Time spent in research and development will allow Araos to create a new project, I remember correctly you are you and the rest is history posing a central question: “Is the reality we perceive a form of pareidolia?” Seeing shapes in cloud patterns is an example of pareidolia. The phenomenon is the human ability to find meaning in an ambiguous stimulus. This perceptual ability allows one to imagine an object or pattern where there is none.

[Group show//Ana Hupe, Miji Ih, Daniela Medina Poch, and Gonzalo Reyes Araos//June 26th – 29th, 2024//LAGE EGAL//Berlin, Germany]We are pleased to present the first exhibition of Between Curatorial Projects, entitled BETWIXT & BETWEEN: DIASPORIC VISIONS OF LIMINAL SPACES with installation, collage, photography, photograms, and performance by Ana Hupe, Miji Ih, Daniela Medina Poch, and Gonzalo Reyes Araos. The exhibition takes place at our temporary space at Strausberger Platz 19, located within one of the historic neoclassical Hermann Henselmann towers, also known as “Haus des Kindes”.

[Art market//June 7th – 06th, 2024//at Monopol Berlin//Berlin, Germany]The Berlin Affordable Art Market is a semestral art fair created to support art sales by local and emergent artists, while promoting a more open and inclusive access to art.

BAAM – 7th Edition
Friday 7.6. _ 2 pm – 10 pm
Saturday 8.6. _ 12 pm. – 8 pm
Sunday 9.6. _ 12 pm. – 8 pm
MONOPOL
Provinzstr. 40-44,
13409 Berlin

[Group show//December 9th 2023 – January 9th 2024//Office Impart//Berlin, Germany]A group show on the occasion of the 5th anniversary of OFFICE IMPART.

[Solo show//November 11th – December 10th, 2023//Parque Cultural Valparaíso//Valparaíso, Chile]A solo show in Parque Cultural de Valparaíso, Ex-Carcel. Chile. In this solo show, Gonzalo Reyes Araos addresses questions that emerge from contemporary forms of communication as key elements that have conditioned and redefined human social relationships and our relationship with nature.

[Group show// Vanessa Enriquez, Grape Battleships, Anna Talens & Gonzalo Reyes Araos//June 9th – July 21st, 2023//NADAN//Berlin, Germany]According to Kant’s description, more effective utilising of memory can help individuals fulfill their responsibility to themselves and others because “besides the mere satisfaction of one’s own needs (which does not establish a duty), people have a duty to make themselves useful in the world.” Memory is a complex 1 and multifaceted process that combines numerous images and language, containing various forces. These forces may not be directly related to current needs but constantly influence our reality and permeate our thinking.